Truth & Salvage Co.‘s show at Birdy’s in May was one of the best of 2010, and they returned Wednesday (Oct. 6) as part of WTTS’ Emerging Artists Concert Series, with a show at the Creation Cafe on the Canal in downtown Indianapolis. One day later (Thurs., Oct. 7), outlaw rocker Shooter Jennings will perform live in for Studio 92 before his concert at The Vogue that night.
It continues a string of excellent shows for the station, giving spotlight opportunities for roots rock bands. It also give WTTS the chance to brand its 92-3 VIP Room, keeping the concerts private for their listeners, who register online for a seat for a show. Comcast also records some of the performances on video for their On-Demand offerings.
I’ve always liked to listen to Adam Carolla – when he was on with Dr. Drew, as a guest on other radio shows, and a little bit (though not as much) on his TV endeavors. He’s a talented radio guy/communicator in a time when (good/compelling) radio hosts are tougher to find…
So it’s nice to come across a podcast with Adam and one of the Rockforward faves: country rocker, second-generation hellraiser Shooter Jennings.Get Podcast here
by Rob Nichols
NUVO contributing writer (read all blog posts) Shooter Jennings (Waylon’s hard-living, outlaw badass boy) released his new CD Tuesday, called “Black Ribbons” and recorded with his new band Hierophant. It is a concept record that had Shooter collaborating with writer Stephen King. King voiced multiple cuts on the 20-track release, featured as freewheeling a late-night DJ called Will O’ the Wisp.
I listened to the album. It ain’t today’s country music. Sounds like someone smoked a couple bowls, put on Pink Floyd’s “The Wall”, and said “Hey man, we could do that”. The album is a little weird – both jarring and interesting. And a bit self-indulgent and pompous. Possibly brilliant.
Made while he was without a record label or management, Jennings told the LA Times he “felt like I was at rock bottom. I was feeling pretty voiceless, and depressed.” So he did what all depressed rockers do: he drove cross-country in an RV with his family.
“We were in the middle of nowhere, and every night about midnight I’d hear these programs on the AM dial. It was all this really scary talk about the ballooning police state, the globalization agendas and whatnot.”
*** Nearby Show Rob Recommends: Bill Kirchen and Too Much Fun comes to the Lafayette Brewing Company in April 17th (it’s a Saturday night). The rockabilly guitarist from Ann Arbor, MI is best known as a member of the original Commander Cody and His Lost Planet Airmen. He’s also a crunchy Fender telecaster guitar player, and his music is tagged as “Dieselbilly”: part rockabilly, part truck-drivin’ music. He’s being brought to town by the terrific Friends of Bob live music co-op. An 8:00pm show, with doors at 7:00pm. Tickets on sale March 12th for $10, or $12 day of show. Kirchen released “Hammer of the Honky Tonk Gods” in 2007; the title cut a greasy ode to Tele guitar slingers.
Gotta like that the new Johnny Cash release was #3 on the Billboard Album chart this week. “American VI: Ain’t No Grave,” sold 54,000 units. Sade (huh?) was the top album from last week (and for he third week in a row – what the hell is that about?) , selling 127,000 units of “Soldier of Love.” Country music’s Fleetwood Mac-ish Lady Antebellum’s “Need You Now,” was second. Lady A sold 118,000 units, down 18 percent from the previous week. Overall CD sales CD sales were down 13 percent compared to the comparable sales week of 2009 with 5.99 million units sold.
One of those stories that we knew was probably already happening, and just couldn’t prove it: Four California men behind a ticket broker company have been charged with hacking into Ticketmaster’s website, buying up over 1.5 million tickets and re-selling them. As Wiseguy Tickets, they reportedly made $25 million between 2006 and 2009. The New York Daily News reports that for a Bruce Springsteen show at Giants Stadium in 2008, Wiseguy scooped up half of the floor tickets. They also hacked in to get concerts tickets for AC/DC, Bon Jovi, Billy Joel, Hannah Montana, Coldplay and Phish. Among the companies they hit were Ticketmaster, Live Nation, Tickets.com, and Major League Baseball.
From the roots-rock home office – bits of news from my NUVO posting this week:
SHOOTER AND STEPHEN KING
Stephen King and Shooter Jennings will release “Black Ribbons”, a 70-minute album, with King providing the voice of Will O’ The Wisp, a late-night talk radio host who is in the last hour of his final broadcast before the airwaves are overtaken by government-approved and regulated transmissions. According to the news release, “With nothing left to lose, the radio host lets loose with a series of rants, punctuating his diatribes with 14 selections from Jennings. ” We love Shooter, and and this could either be the train wreck of the year, or could be jsut odd enough to be interesting.
INDY ACOUSTIC CAFE
One of today’s folk groundbreakers, Ellis Paul, visits Indianapolis on January 16 as part of the Indy Acoustic Cafe series. The show will be at the Wheeler Community Art Center, 1035 Sanders Street. Paul is part of the Boston school of songwriting – call it romantic folk-pop, call it acoustic intelligence, or I just call it good tunes with an acoustic guitar. Doors open at 7PM, Show at 7:30 PM. Tickets $17 advance and $20 at the door.
HENRY LEE SUMMER BACK ON STAGE
Got a chance to see Henry Lee Summer perform with ex-bandmate Zanna’s great little classic rock side project “4 On The Floor” in early January at Moon Dog’s in Fishers. Henry is releatively fresh out of rehab, and a bit rusty, but I will give him his due here: he seemed more engaged than the last time a saw him, which a has been a couple of years. His shows with his own side projects had become boring and I wanted more fire from Henry, even if he wasn’t going to play his own music with the Alligator Brothers or Candybomber. This time, there were flashes of his intensity and brilliance as a singer and bandleader, and my hope is that he keeps going forward, stays positive and knows he has fans and people who will support him again. And he should get a band (or even go solo with a guitar) and play his own music, ’cause we love that most. Our best to Mr. Swartz. Nice to see him back on a healthier road. Henry Lee Summer – LIVE – Superstar Concert Series
North Manchester, IN – 1988
PAUL SIMON’S BOY RELEASES ALBUM
Harper Simon :: REVIEW – from thatnashvillesound.com
Fair or not, the vocal comparisons between Harper and his father, Paul, are evident as soon as he opens his mouth. It’s really uncanny how similar his voice is with the layered echo-like lyrics- sounding a little like singing from the bottom of a well. Part folk, part country, many of the songs are obviously very heavily influenced by the humor and lyrical style of Simon and Garfunkel- albeit Simon and Garfunkel with a steel guitar. On the surface, that might seem like a strange or bitter combination- at once not original and original at the same time. Read Review
IDEA I LIKE:
A series of classic album covers has been issued as a set of stamps by the England’s Royal Mail (their version of the US Postal Service). Other well-known record sleeves to have been made into first-class stamps include Pink Floyd’s Division Bell. The design on each of the 10 stamps shows a vinyl record coming out of its recognisable album cover. See Stamps
SAME AS IT EVER WAS:
Three country acts who are sure-fire draws and have played the fair recently will be back in 2010 at the Indiana State Fair. The State Fair has announced that Rascal Flatts will perform August 7, Keith Urban on August 14 and Sugarland on August 20. Sugarland is always good, and Urban is one of the best country rockers, though has been here a few times now, some the excitement might wane for this, though the show will be killer. Rascal Flatts, however, is imitation vanilla, bland and full of fake sugar. Whatever. The State Fair does a pretty damn good job each year, between the free stages and the new Indiana Opry Barn and the main Grandstand. So make that point clear.
Urban won Best Male Artist at the recent People’s Choice Awards. However, he also gave the word to illegally obtain music.,saying “I don’t even care if you download it illegally, give it to your friends, I really don’t care.”
MusicRow.com has an interesting and misguided letter and commentary posted, upset about what Keith said: “I wonder what his label, Capitol Records Nashville, has to say about his statement?” Cliff Doyle writes. “And what about his co-writers and other songwriters on Music Row whose talents he depends on to continue with his hugely successful career? Can they afford to work for free?”
Here’s the deal: His label can’t say anything of value. Urban is in a position that doesn’t require a label, just distribution. Capitol pissed? He can go somewhere else. And his magic is on stage, where he is the best guitar player/performer/showman in country music, and maybe (outside of Springsteen) all of rock music. Good for Keith. Tougher for those who haven’t made it yet to succeed without a label? I say no. – not for the ones that matter. The bands that hit the road/clubs/festivals and do it on their own are usually the best. Look no farther than Jennie Devoe right here in Indianapolis. Sure, she has fans in those who run labels, and many covet her music, but she sees what others like her know: control + talent+ drive = success on your terms. Just a different path, and different way to measure success, than 10 years ago.