One of those tunes – and there are a growing number – that are damn fine country music songs, but country radio’s myopic, blinders-on, play-the-new-Cole Swindell-shit mentality fails to see that this is where they should go a little more often, musically.
And I think Jason Isbell would agree.
Anderson East. Recorded in the legendary FAME Studio in Muscle Shoals, Alabama. A greasy, retro, horns-and-soul cut, with whiskey and asphalt vocals. Has a new album coming this summer. Recommended by the great Nick Dalton.
Jimmy Barnes had about one-and-a-half 80’s hits. But he was huge in Australia.
Keith Urban was sorta known in Australia. He has lots of American hit records.
The two continent-mates team up for a ripping take on the INXS/Easybeats nugget “Good Times”. Excellent story in RS Country, but listen to the track first. Urban’s guitar playing is his best musical asset, and to hear a stripped-down version of the song tag-teamed by a shouter like Barnes and a talent like Urban makes it work. Marvelously minimal.
Barnes was determined to break into the US market and signed to Geffen Records for release there. His second album For the Working Class Man was tailored in this direction, featuring remixed songs from Bodyswerve plus five new tracks including “Working Class Man” that was written by Journey musician Jonathan Cain and would become Barnes’ signature tune. Several US musicians worked on the album including Cain, Charlie Sexton, singer Kim Carnes and British drummer Mick Fleetwood of Fleetwood Mac. – full wikipedia entry
The song “Working Class Man” came out in the full-on blaze of the Springsteen Born in the USA fire in 1985 – not that they tried to hide the similarities. Earnest to the edge of car commercial parody. But it wasn’t.
‘Ride The Night Away’ with Steven Van Zandt
(original version on For The Working Class Man album)
“I’ve been a fan of Springsteen since 1973 – the E Street Band is one of my favorite bands in the world, but I’d never seen them live – we’d never crossed paths and I was always working when they were touring. But when they came back to Australia this time (March 2014), I got this idea in my head that I would like to do this song with Little Steven. I went up to him and said, ‘This song you sent me 30 years ago, I wouldn’t mind recording it with you.’ He was a fan. And he loves music. So Steven came to my house.
“My son Jackie played drums, and I got Steven playing the guitar solo and singing harmonies. Virtually, it was take three, but we spent about 12 hours together, just talking. I got him to tell us stories about The Sopranos.” — Jimmy Barnes
Tom Petty and The Heartbreakers remain one of the finest American rock bands around – and much of the reason (besides the talent) is work ethic. They keep touring and rocking and recording new music that sounds like …Tom Petty.
The new album Hypnotic Eye has led to a tour of the US. He kicked it off with a pretty cool Jimmy Kimmel Live concert from the band’s rehearsal space. Turn it up. Love the Mike Campbell guitar…
NEWS: Petty’s new album scores #1 spot; best first week for Petty since 1994’s Wildflowers album – Read Story /
Part of the reason for Hypnotic Eye’s impressive performance is due to a concert ticket promotion for Petty’s ongoing summer tour. Those customers who purchased tickets through agents like Ticketmaster were presented with the option to also buy Hypnotic Eye. Though many declined the option, all redeemed copies were counted in Billboard’s official sales. Interesting…
From Isle of Wight Festival. 2012.
Epic version. Slow build that takes flippin’ off. Petty nails a couple solos that remind you that yes, he is a great rock and roller. A laconic, and mighty ending seals the Indiana night shut – even from across the pond.
